12016-08-19T12:58:26-07:00Will Fenton82bf9011a953584cd702d069a30cbdb6ef90650a72001[Franklin and the Quakers [graphic] / James Claypoole?].2016-08-19T12:58:26-07:00Claypoole, James, 1720-1784?, etcher.LCP Cartoons [1764 Fra] [Watson's Annals Ms. p.274. (HSP)][Philadelphia, 1764]1 print : etching and engraving ; 19 x 33 cm. (7.25 x 13 in.)Murrell, 1311Will Fenton82bf9011a953584cd702d069a30cbdb6ef90650a
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12017-10-07T12:07:09-07:00Will Fenton82bf9011a953584cd702d069a30cbdb6ef90650aFranklin and the QuakersWill Fenton1annotationplain2017-10-07T12:07:09-07:00Will Fenton82bf9011a953584cd702d069a30cbdb6ef90650a
12016-08-20T13:26:20-07:00Introduction171Will Fentonimage_header6038032024-07-22T12:34:00-07:00Welcome to Digital Paxton. This site isn't only a digital collection dedicated to a massacre, but also a window into colonization, print culture, and Pennsylvania on the eve of the American Revolution.
The “Paxton” in Digital Paxton refers to a little-known massacre in colonial Pennsylvania.
In December 1763, a mob of settlers from Paxtang Township murdered 20 unarmed Susquehannock Indians in Lancaster County, Pennsylvania. A month later, hundreds of "Paxton Boys" marched toward Philadelphia to menace and possibly kill more refugee Indians who sought the protection of the Pennsylvania government. While Benjamin Franklin halted the march just outside of Philadelphia in Germantown, supporters of the Paxton Boys and their critics spent the next year battling in print.
The Paxton Boys accused the Conestoga Indians of colluding with the Ohio Country Lenape and Shawnee warriors who were attacking Pennsylvania's western frontier, a charge that had no basis in fact. Their opponents accused the Paxton Boys of behaving more savagely than the Indians they had killed.
The pamphlet war that followed in 1764 was not so different from the Twitter wars of today. Pamphleteers waged battle using pseudonyms, slandering opponents as failed elites and racial traitors. At stake was much more than the conduct of the Paxton men. Pamphleteers staked claims about colonization, peace and war, race and ethnicity, masculinity and civility, and religious association in pre-Revolutionary Pennsylvania.
Digital Paxton began in Spring 2016 when Will Fenton partnered with the Library Company of Philadelphia and the Historical Society of Pennsylvania to digitize both institutions' rich holdings related to the Paxton massacre. Originally conceived as a way to make those records freely accessible via the web, the site quickly expanded to include primary source materials from some two-dozen archives, research libraries, and cultural institutions; a dozen contextual essays from leading historians and literary scholars; and half a dozen lessons from secondary and post-secondary educators.
As of July 2024, the site features 3,225 pages of material, including 41 artworks, four books, 17 broadsides, 236 manuscripts, 27 newspaper issues, 71 pamphlets, and nine political cartoons, many of which have never before been digitized. About half of the collection (108 records) is fully-transcribed and searchable, and new transcriptions are added on a regular basis.
The site also includes six middle school, 13 high school, and three undergraduate lesson plans; 14 contextual essays written by leading historians and literary scholars; and a crowd-sourced transcription platform.
Thanks to the support of The Pew Center for Arts & Heritage, Digital Paxton has grown considerably, with new archival materials, contextual essays, and lesson plans. It's also given rise to an exciting new public humanities project: Ghost River: The Fall and Rise of the Conestoga is a Native American graphic novel available both online and in print and a public art exhibition at the Library Company of Philadelphia. To learn more about future plans, follow Digital Paxton on social media or visit GhostRiver.org.
To learn more about how to use Digital Paxton, follow this path to "Using Digital Paxton," listed below Contents. To submit questions, share feedback, or get involved in the project, contact the editor.
12016-08-31T12:52:16-07:00Peaceable Kingdom Lost: The Paxton Massacres22Kevin Kennyimage_header2019-08-11T08:12:53-07:00The Paxton Boys, frontier militiamen on an unauthorized expedition, struck Conestoga Indiantown at dawn on December 14, 1763. "Fifty-seven Men, from some of our Frontier Townships, who had projected the Destruction of this little Commonwealth," Benjamin Franklin wrote in his Narrative of the Late Massacres in Lancaster County, "came, all well-mounted, and armed with Firelocks, Hangers [a kind of short sword] and Hatchets, having travelled through the Country in the Night, to Conestogoe Manor." Only six people were in the town at the time, "the rest being out among the neighboring White People, some to sell the Baskets, Brooms and Bowls they manufactured." The Paxton Boys killed these six and burned their settlement to the ground.
The Conestoga people lived on a 500-acre tract, which William Penn had set aside for them seventy years earlier, near the town of Lancaster, one hundred miles west of Philadelphia. By 1763 only twenty Conestoga people were living there—seven men, five women, and eight children.
After the murders, local magistrates removed the remaining fourteen residents to the Lancaster jail and workhouse for their safety, but on December 27 the Paxton Boys rode into that town to continue the attack they had started two weeks earlier. Fifty men, "armed as before, dismounting, went directly to the Work-house and by Violence broke open the Door," Franklin reported, "and entered with the utmost Fury in their Countenances." Within a matter of minutes they had slaughtered the fourteen individuals sheltering at the workhouse, including the eight children.
The Paxton men were fully aware of the symbolic and political significance of their actions. They murdered unarmed, peaceable Conestoga people to make the point that all Indians were the same. And they slaughtered the Conestogas on government property in broad daylight. In perpetrating the massacres, they repudiated the settlement policy of William Penn.
Inspired by Quaker principles, Penn had founded his colony in 1682 as a "holy experiment" in which Christians and Indians could live together in harmony. He drew the model of